Equine History T-Shirts are here!

   We are raising funds for filing 501(c)3 status and for the EHC Conference travel fund. T-shirts are now available!

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   For the “heads” design, featuring zebra, horse, and donkey heads, order here: https://www.bonfire.com/ehc-equine-heads/ 

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   For the #AndBurros shirt (courtesy of Abbie Harlow, ASU) order here:  https://www.bonfire.com/andburros/ 

Multiple cuts & colors available on both.

   Direct donations can be made here: https://squareup.com/store/equine-history-collective… Please feel free to share!

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#SourceSaturday: Recent English-Language Equine Veterinary Histories

By Janice Gunther Martin

During the month of April, the Equine History Collective will be featuring posts related to the history of veterinary medicine. If you are interested in submitting a book review, let us know at equinehistory@gmail.com.

The bibliography below lists recent histories of veterinary medicine in English, with a focus on works at least partially devoted to equids. The list is by no means exhaustive, so if you have found certain books or articles to be especially helpful (including those in other languages), please add your comments below!

Adams, J. N. Pelagonius and Latin Veterinary Terminology in the Roman Empire. Leiden: Brill, 1995.

Alkhateeb Shehada, Housni. “Donkeys and Mules in Arabic Veterinary Sources from the Mamlūk Period (7th–10th/13th–16thCentury).” Al-Masaq 20, no. 2 (September 2008): 207–214. https://doi.org/10.1080/09503110802283424.

———. Mamluks and Animals: Veterinary Medicine in Medieval Islam. Leiden: Brill, 2012.

Brown, Karen and Daniel Gilfoyle, eds. Healing the Herds: Disease, Livestock Economies, and the Globalization of Veterinary Medicine. Athens, Ohio: Ohio University Press, 2010.

Buell, Paul D., Timothy May, and David Ramey. “Greek and Chinese Horse Medicine: Déjà vu All Over Again.” Sudhoffs Archiv 94, no. 1 (2010): 31–56. http://www.jstor.org/stable/20778426.

Curth, Louise Hill. The Care of Brute Beasts: A Social and Cultural Study of Veterinary Medicine in Early Modern England. Leiden: Brill, 2010.

———. ‘A plaine and easie waie to remedie a horse’: Equine Medicine in Early Modern England. Leiden: Brill, 2013.

Jones, Susan D. Valuing Animals: Veterinarians and their Patients in Modern America. Baltimore: Johns Hopkins University Press, 2003.

McCabe, Anne. A Byzantine Encyclopedia of Horse Medicine: The Sources, Compilation, and Transmission of the Hippiatrica. Oxford: Oxford University Press, 2007.

Michell, A. R., ed. History of the Healing Professions: Parallels between Veterinary and Medical History. Vol. 3 of The Advancement of Veterinary Science: The Bicentenary Symposium Series, edited by A. R. Michell. Wallingford: CAB International, 1993.

Mishra, Saurabh. Beastly Encounters of the Raj: Livelihoods, Livestock and Veterinary Health in North India, 1790–1920. Manchester: Manchester University Press, 2015.

Mitsuda, Tatsuya. “Entangled Histories: German Veterinary Medicine, c.1770–1900.” Medical History 61, no. 1 (January 2017): 25–47. https://doi.org/10.1017/mdh.2016.99.

Woods, Abigail. “From One Medicine to Two: The Evolving Relationship between Human and Veterinary Medicine in England, 1791–1835.” Bulletin of the History of Medicine 91, no. 3 (Fall 2017): 494–523. https://doi.org/10.1353/bhm.2017.0058.

Woods, Abigail and Stephen Matthews. “‘Little, if at all, Removed from the Illiterate Farrier or Cow-leech’: The English Veterinary Surgeon, c1860–1885, and the Campaign for Veterinary Reform.” Medical History 54, no. 1 (January 2010): 29–54. https://doi.org/10.1017/S0025727300004300.

 

CFP: Horses, Moving, September 25-27, Museum of Archaeology, University of Stavanger

The conference seeks to address the movement and motility of horses from a wide array of perspectives, from prehistory until historical times. The Museum of Archaeology, University of Stavanger and the Høgskulen for landbruk og bygdeutvikling would like to invite you to “Horses, moving” a cross-disciplinary conference on the symbolism and relevance of horses in human societies throughout history, as well as the dynamics of human-horse interactions. Keynote speakers are professor Lynda Birke, University of Chester and professor Anita Maurstad, University of Tromsø. We would like to invite prospective participants to submit abstracts outlining their topic. Presentations may come from any field, archaeology, anthropology, ethnography, human geography, history, linguistics, folklore studies, equine studies or animal behavioral studies, to name but a few. Abstracts should be no more than 300 words and must be submitted by June 30. For further information or to submit an abstract, please contact Sean Dexter Denham, sean.d.denham@uis.no.

#ShelfieSunday: War Horse: Mounting the Cavalry with America’s Finest Horses

warhorse

     War Horse started as a project by two horsemen to uncover the relationship between pedigree and confirmation, especially pertaining to soundness and athleticism. It became an immense tome on the short lived but massively influential U.S. Army Remount Service breeding program. Livingston and Roberts, in their search to quantify the pedigrees of the best horses, discovered that they unerringly traced to Remount stallions, regardless of breed. While the majority of remount stallions were Thoroughbreds, Arabians, or Morgans, they had a lasting effect on nearly every American breed.

    The authors begin, unsurprisingly, with a brief overview of warhorse history. This chapter is far more thorough than average, including both pre-Medieval and non-European sections. However, it is in places problematic, including references to a cumbersome great horse and suggesting that the Roman Empire employed war chariots in a widespread fashion. However, these are issues within the historiography they were relying on, and do not reflect the overall quality of the book. They then move quickly through the early years of the Remount services during the Civil War, not yet involved in breeding, through the massive equine casualties (riding, draft, and pack horses and mules) in several wars up through World War I. The overall scarcity of horsepower following World War I, coupled with the need for consistent quality, led to the establishment of the breeding program the Remount is now known for.

    The bulk of the book is concerned with the day to day running of the Remount breeding program, from stallion selection and placement to enlistment of Remount offspring. The book benefits from a large number of photos and excerpted letters and documents from breeders as well as Army personnel. The final chapter includes detailed pedigrees and accounts of the most influential Remount stallions. This section is largely concerned with the stockhorses- mostly Quarter Horses and Paints- the authors original sought to analyze, though other breeds are represented in the body of the work. At the end are several useful appendices, including a timeline and a list of known Remount personal and stallions. In all, War Horse tends towards the romantic but is nonetheless of incredible use to historians of modern cavalry or American breeding practices.

“The Perfect Horse” Book Talk

     Agriscapes and the Horse Center at Cal Poly Pomona will be hosting a talk by Elizabeth Letts on her research on the daring U.S. mission to rescue the priceless stallions kidnapped by the Nazis.” Along with the Lipizzans, there were Arabians: these ended up at the W. K. Kellogg Arabian horse ranch, now the site of Cal Poly Pomona. Come listen to, and walk in, a bit of history.

Tickets (free, but RSVP required) are available here.

Letts-lecture

#SelfieSunday: The Medieval Horse and Its Equipment by John Clark

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     John Clark is a curator (now Emeritus) at the Museum of London, and as such his book The Medieval Horse and Its Equipment is primarily focused on objects on display at the museum, which are themselves primarily English in origin. What sets Clark’s book apart from similar catalogs is his in-depth analysis of each object. Rather than just the little “where and when” blurb found on each items placard, Clark gives a full account of how each item was found; how it was used; and what implications the usage, motifs, or material have. He also shows examples, where available, of each item in art contemporary to itself, and relates it all to current scholarship. John Clark applies in this way the research of not only Ann Hyland and R.H.C. Davis, the major authors on medieval equines, but also of dozens of scholars in art, archeology, agricultural and military history.           

     Because many of the smaller items, such as bits and horse shoes, were found in archeological digs, Clark provides diagrams of the most important sites. With the long and complicated history of horses in England, these help illustrate which items are clark2Roman in origin, which are Saxon, etc. In addition to the assorted bits, spurs, brushes, shoes, and other equine implements, Clark also presents equine skeletons found at theses digs. These corroborate his own and Ann Hyland’s theories regarding the size of the animal that would have worn the shoes, bits, and armor we have available for measurement. Because the size of the medieval “Great Horse” has been the subject of debate for much of the past century, Clark opens his book with this skeletal evidence, and a long historiography on the topic. Clark is very meticulous in all of his reports, and these skeletons are no different. He gives the location where they were found, not only geographically but also whether it was a burial, a trash heap, or a butchers yard. He provides the approximate date they were buried (or otherwise disposed of); and he notes the measurements and what marks the bones carried, such as injuries from weapons, marks of butchery, or “pathologies indicating stress on the joints and back.”[1] Those with weapons marks, of course, are used to support the idea of a much smaller “Great Horse” than that supposed by Davis and other early scholars. He largely omits the “stirrup controversy,” but that is somewhat outside the scope of this work. Clark also uses the skeletal evidence to touch on a second highly debated topic, hippophagia. By noting the complete absence of butchery marks on horses found in dump sites near London later in the period, Clark can suggest that by the 14th century butchers were not taking old horses for meat near London. Finds further from the city did have butcher marks, but Clark does not posit a theory for these. In sum, this book is invaluable in providing careful analysis alongside archeological and material evidence.

     John Clark also presented this past year at IMC Leeds on “The Development of Bits from the Viking Age to the 16th Century, in England and Beyond,” and we look forward to his chapter forthcoming on this topic.

Other reviews:

Review by: Amanda Rosenstock Luyster
The Medieval Review 05.11.05

Boydell & Brewer

[1] John Clark. The Medieval Horse and its Equipment. (Woodbridge, UK: The Boydell Press, 2004) 22

#ShelfieSunday: The Medieval Warhorse: Origin, Development and Redevelopment by R.H.C. Davis

     R.H.C. Davis’s 1989 The Medieval Warhorse: Origin, Development and Redevelopment shelfiedavisgives a remarkably in depth view of medieval horse breeding and management practices, alongside the more commonly found military applications. He uses an impressive array of sources, including breeding records, letters, law codes, and art. Unfortunately, he often fails to make clear when he transitions from paraphrasing a source to giving his own suppositions on it. Furthermore, he also jumbles time periods with very little organization or warning to the reader. Finally, his work contains several terminological mistakes that make specialists concerned about leaning on the remainder of the work. This book remains one of the most complete and respected on medieval horses, and his mistakes are still widely propagated despite newer scholarship; Davis’ usual meticulousness is oddly absent, but this may not be clear to those not already familiar with his sources.

     The horses of King Henry VIII of England are among the more thoroughly documented pre-modern animals. Davis describes a horse acquired by Henry as “a fine horse of the breed of Isabella”.[1] “Isabella,” in the modern sense, is a term for horses of a pale golden color.  There are many color breeds, and it is reasonable to suppose that proto-breeds[2] were bred along color lines; the ‘black horse of Flanders’ is certainly noteworthy. However, “Isabella” is a color that has changed meanings rapidly over the last two decades due to the advent of genetic testing. It has in the past been used for a number of very different colors, many of which would not “breed true,” i.e. may not reproduce themselves. The mistake of calling palomino[3] (a color still sometimes called Isabella) a breed is still made by novice horseman. It may be that the mistake was in Davis’s source. There is also some conjecture that the Royal Hanoverian Creams, which pulled the English Royal carriages until the 1920’s, where descended from Spanish “Isabella” horses. A few American Champagne breeders claim their unique color comes from the Hanoverian Creams, but the small amount of evidence available seems to contradict this.[4] These horses may have been an unknown mutation, or most likely they were double “pearl” dilutes. This color has only recently been genetically identified, but could breed true. The “isabella” color in Spanish bred and American frontier horses was, after the discovery of the pearl gene, found to often be a case of one pearl gene, and one cream gene. [5]After the discovery of the pearl gene, the term “isabella” has been slowly changing from meaning any “café au lait” colored horse (including double pearl, cream pearl, pale palomino, and champagne) to meaning one that is homozygous for the cream dilution. This is a color that would breed true, but up until recently it was considered very undesirable, as it was thought that they were albinos. This meaning for the word ‘isabella’ also was not yet being used when Davis was writing. This color also does not match with any prior description of “isabella” horses, including the Royal Hanoverian Creams, which very specifically did not produce palominos as a double cream would. Davis, who elsewhere gives detailed etymologies and explanations of unusual words in his sources, does not address any of these factors, leaving the reader to wonder what “Isabella” and even “breed” mean in this case.

     Unfortunately, there are other cases where the mistake is not one of possible omission. Most striking among them are grouping trotters with pacers as all being amblers. He writes that some “were pacing horses which…moved both left feet forward, then both right feet…various terms for these horses [include] pacing horses (gradarii), amblers (ambulatorii), or trotters (trottarii).”[6] His use of the original words is exemplary and shows attention to clarity;[7] however, a trotter by definition is not a pacer.[8] There is also some mis-defining of military maneuvers that are still in use today.  In describing the downfall of the “17 or 18 hand”[9] Great Horse, he illustrates the need for horses capable of performing what are now known as the “airs above ground.” He describes the croupade as “jumping off the ground and kicking in mid-air”[10] which is actually a capriole. The capriole he describes as “rising up on the back legs”[11] which could refer to levade (a rear with a low angle) or pesade (more upright). The croupade itself is much like the capriole, however requires that the horse tuck his hind legs in, for greater clearance and protection of his belly, rather than kick out to strike enemies as with the capriole. While there have been some regional and temporal variations – such as whether the front legs should strike in levade (seen in Majorcan dressage), or if this is a different maneuver (as in continental)– the lack of clarity forces us to question the details of Davis’ work. However, it remains a thorough work, and contains an invaluable collection of sources, with great attention to how things can become lost in translation. Davis also provided us with an unprecedented glimpse at the domestic life of the medieval warhorse. While it should not be used without consideration, it is worth engaging with. 

Additional reviews:

 

[1] R.H.C. Davis, The Medieval Warhorse: Origin, Development, and Redevelopment (London: Thames and Hudson Ltd., 1989) Page 108

[2] Breed as we define it today is a concept that will not develop until at least a century after Henry VIII; even by that late time, the word referred to the breeder, rather than the type or pedigree.

[3] One copy of the co-dominant cream dilution on chestnut, causing a yellow body with white mane and tail. In the past (and currently in some countries) one of the possible “Isabella” phenotypes.

[4] The paintings and few photos available of the RHC horse prior to its dispersal in the 1920’s show clearly dark legs and tails, a trait that does not occur in champagnes, and lack the champagne’s mottled skin. Champagne also appears to be a ‘New World’ mutation.

[5] http://www.horsetesting.com/Equine/Coat_Color/Pearl.asp

[6] Davis, 67

[7] Clarity that most scholars miss: a pacer may be an ambler, but not all amblers need be pacers! Ambler is accepted to mean any non-trotting horse. Davis himself seems to lump them all as pacers (two beat lateral way of moving) despite his attention to different words for their gait.

[8] A trot is a two beat diagonal gait (opposite fore and hind leg move together). A pace is a two beat lateral.

[9] Davis, 69

[10] Davis, 112

[11] Davis, 112