“Join anthropologist Dr. Niobe Thompson and equine experts on a two-part adventure around the world and throughout time to discover the origins of the horse. In a stunning 3D reconstruction, see the earliest member of the horse family rise from a fossil bed and begin a transformation into the magnificent animal we know today. Discover why horses have 360-degree vision and gallop on a single toe. Explore the science of speed with renowned racehorse trainers. Uncover the emotional intelligence of horses and their deep connection with humans. Encounter extraordinary horse breeds from Saudi Arabia to Kentucky to Siberia, and meet the horses of Sable Island that are truly returning to the wild ways of their ancestors. Filmed over 18 months across 3 continents, featuring drone and helicopter-mounted RED aerials, extensive Phantom slow-motion footage, and a live-recorded symphonic score.”
We invite you all to discuss your thoughts, questions, and reflections on the show with the EHC community using #EHCEquus on Twitter (we also suggest tagging #PBSNature), and, for members, in the EHC Facebook group. We look forward to hearing from you!
The conference seeks to address the movement and motility of horses from a wide array of perspectives, from prehistory until historical times. The Museum of Archaeology, University of Stavanger and the Høgskulen for landbruk og bygdeutvikling would like to invite you to “Horses, moving” a cross-disciplinary conference on the symbolism and relevance of horses in human societies throughout history, as well as the dynamics of human-horse interactions. Keynote speakers are professor Lynda Birke, University of Chester and professor Anita Maurstad, University of Tromsø. We would like to invite prospective participants to submit abstracts outlining their topic. Presentations may come from any field, archaeology, anthropology, ethnography, human geography, history, linguistics, folklore studies, equine studies or animal behavioral studies, to name but a few. Abstracts should be no more than 300 words and must be submitted by June 30. For further information or to submit an abstract, please contact Sean Dexter Denham, firstname.lastname@example.org.
The proposed panel invites papers addressing the intersecting points of horses and horse culture the Middle East and North Africa (MENA) with their European counterparts, through history and anthropology. Horses were invaluable in warfare, hunting, and diplomacy. Their breeding, training, and trappings generated legends about horse culture in the Mediterranean still influential to this day. While horses are no longer used in the same ways today as they were from the Middle Ages through the Early Modern period, people all over the MENA and Iberian regions continue to use and
celebrate their horse cultures. Spain maintains a mounted police horse division, celebrates the horse through festivals in Jerez de la Frontera and Seville, and continues to use horses in mounted bullfighting. In Morocco, the Salon du Cheval is beginning to garner world renown as an exhibit of traditional Moroccan horsemanship (tbourida or fantasia). Horse racing, while slightly diminished due to political turmoil, continues in every country from Morocco to Lebanon. Princess Haya of Jordan, the former president of the International Equestrian Federation (FEI), strongly encouraged the expansion of the FEI, and brought in $150mil of commercial revenue to the federation, which oversees international horse events. Aside from the Arab contribution to equestrian sports, the five-year EU ban on exportation of horses from Egypt has greatly diminished the opportunities for horse breeders in the country, stifling the horse economy. In Jerusalem, horse shows have become a non-political way of sharing a love of horses in the conflict-riddled region.
The horse in this region pervades almost every aspect of culture and history, but this panel asks: how did the contact between Arab and European cultures affect each other in terms of horse breeds, riding styles, equipment, and general knowledge. This panel will examine this interchange of equestrian cultures past and present. Papers focusing on single countries, regions or comparative studies examining multiple locales or countries are welcome, as are papers from any single or combined disciplinary perspectives.
Authors are asked to submit a paper title, abstract (no more than 300 words), their professional or institutional affiliation, and contact information. Academic, non-academic, or other professional authors are invited to apply. In cases of co-authored works, only one submission (including the same information for each author) should be made. Papers will be accepted in English only. The deadline for abstract submissions is midnight 5 November 2017. You will be informed of the result by 10 November 2017.
If the proposal is accepted, you will be required to register with WOCMES by 15 November, 2017, although acceptance of the panel by WOCMES is not assured. Please consult the WOCMES website http://wocmes2018seville.org/web/index.php/en/ for further information about conference and registration procedures.